The audience are successfully, emotionally snared at many junctures, as the film shows the pain of separation. Vineeth is his usual self in the film and Nikhila Vimal, the leading lady gives a good performance, especially in the subtly comical scenes.

A few of the scenes between Vineeth and Sreenivasan are quite entertaining, especially when the senior Sreenivasan cracks a ‘ninte appan’ joke. Though the basic tale is something viewers would be familiar with, the makers have tried to narrate it as refreshingly as possible. The initial part of the movie rekindles memories of those like Mazhavilkavadi, which also have a similar, lovably nostalgic setting. What are they?Īravindante Adhithikal has an eighties feel, albeit the frames are as colourful as a new-age film. Varada (Nikhila Vimal), who takes accommodation in his lodge, becomes a catalyst for some unprecedented changes in his life. Unlike everyone at Mookambika, he does not go for the deity’s darshan. Even as he appears to be as joyful as ever, he harbours a lot of pain within, and is on an endless wait for someone.

What if you have to live your whole life with such a traumatic image leftover from childhood? Aravindante Athidhikal is the tale of such a young man and the travails he goes through in life because of it.Īravindan (Vineeth Sreenivasan) always has a smile on his face and canvasses people tirelessly in bus stops and taxi stands, looking for customers for the small lodge he runs with his foster father Madhavan (Sreenivasan) at Mookambika. It’s one of the most disturbing sights ever and there are also people who have had such brief, scary experiences in childhood, only to be reunited with those who were looking for them. Review: A child left alone in a crowded space, wandering about looking for parents. While everyone who visits the centre revels in the darshan of the deity, Aravindan keeps himself away from the same, and for a strong reason. Story: Alongside Madhavan, Aravindan runs a lodge in the pilgrimage centre of Mookambika.

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